Author Archives: Caylena

Will TAPIF help me get another job? — Putting TAPIF on your resumé/CV, or not.

The topic of resumes/job searching is an important one to many people these days, especially with the term “Resume builder” being used so readily as a qualifier to many positions/internships. Well it seems many either potential or current TAPIF assistants are weighing the potential benefits of including TAPIF on their resume, or are indeed wondering if it could even be a detriment…

Sorry to say, I can’t say one way or the other, necessarily, but I can offer you some slight guidance and my interpretation of the subject. Don’t stop reading.

Potential Ways of Interpreting TAPIF From the Employer’s Perspective

There is no doubt that this experience can be useful in certain circumstances and for certain future positions. In order to see how it could be useful, we need to have a little role-reversal to think about it from the perspective of the person you are sending the resume to. In order to do this, take a moment to brainstorm what qualities, skills or experience you got (might get) from working as a TA in a foreign country. I have come up with the following list of some examples for me. This list not only represents what I feel I “got out of it”, but also how a potential employer might read into the experience on the resume:

  • comfort/experience leading groups/adolescents/children,
  • teaching experience
  • foreign language/communication ability
  • ability to adapt to foreign cultures
  • creative
  • curious
  • adaptable
  • responsible
  • social skills (interacting with/disciplining adolescents)
  • cultural sensitivity/intelligence
  • ability to figure out foreign bureaucracy/understand new systems

And that’s only the beginning.

How/Whether or Not to Incorporate the Assistantship on the Resume

This aspect really depends on the format of your particular resume, the type of positions you are applying for, and quantity/quality of other relevant experiences. For example, your resume might be formatted with different sections based on theme, skill set, or any other appropriate category. You might even have more than one resume – each for tailored for a particular type of experience or job. You might have it formatted in a way where you simply list titles (sans description) to illustrate particular roles and responsibilities you’ve had multiple times, under an overarching description… Or you might list the position with a short description of your general duties, or even specific accomplishments – if you had any measurable or proven results.

Personally I have several different resumes that I tailor specifically for each unique position I might apply for. For the majority of the types of jobs applied for, the assistantship was not relevant – i.e. I had other positions and experiences that were more relevant, and enough of them to fill up the space. (That last bit refers to “quantity/quality of other relevant experiences.”) However, there have been a few positions (e.g. Study Abroad Assistant, marketing roles in an organization that acts as a French culture hub, etc.) where the assistantship has shown some relevance – not necessarily in terms of skills, but more in terms of personal characteristics and showing an interest in foreign/French language/culture. In these cases, it goes under a heading like “Related Cultural/Language Positions,” where I would also include my time as a TA for French 101 and college language tutoring, and any other things I have done related to travel, language, culture, etc.

Summary

If you’re looking for this type of information because you have recently been accepted to do TAPIF (congrats!) and are considering how it will affect your potential career, fear not. There are surely benefits to doing the program, whether or not you know them presently or even while you are doing it. Hey, you might not even enjoy it every day, but you will definitely come out a stronger person in the end – even if just because you’ll be fluent in a foreign language and be more understanding of cultural differences and how to adapt to living on your own in a foreign place. If you’re afraid you won’t enjoy TAPIF, do it anyway – you won’t know for sure until you do it, and you’ll get to go to France for a once in a lifetime experience.

If you’re looking for this information because you’re currently an assistant and are starting the post-TAPIF job search, I wish you the best of luck in your journey to employment. Remember, if you leave off the assistantship from your resume, for whatever reason, do not fear mentioning it in an interview. Also, people may wonder about the ~9 month gap if your CV is chronological – that said, it’s not required to include it if you really believe that it will not benefit you or is not relevant (because you are not in a related field, or you have other more relevant/quality experiences and not enough space).

In any case, bon courage and bon continuation in your journey. Feel free to always comment here or email me if you have any questions or comments about TAPIF or my experiences/commentary.

TAPIF on Resume?

Alright you mysterious search engine TAPIF folk, I notice you often search for information regarding putting your TAPIF experience on your resume. However, I do not have any entries on this topic and you fail to leave commentary, thus the basis of your search eludes me and I am incapable of providing assistance in solving your search queries. So, here. Now. Please comment and ask your question. Please comment on your TAPIF/Resume concern. Perhaps I can help guide you or answer your questions.

Go on, don’t be afraid. Don’t be another “bounce” on my site. Join this conversation, put in your two cents. You may get something back that you did not expect.

TAPIF: One Year Anniversary Reflections

Expectations VS Retrospect

October 1st marked one year since the first day as a teaching assistant in France.

During my year (8 months) as a TA in France, I experienced the swoops and swooshes of everything from great challenge to great thrill .

I went in not really knowing what to expect in the school, and came out, through all the struggle and frustration, a better person and having touched the lives of others – whether or not they realized it at the time. I may sound cocky or over confident, but I know, not only from those students who said it blatantly in English, but also from the heartfelt goodbyes from other students, that my time was not wasted on all.

C’est pas évident.

Truth. Teaching in a high school is not my path, nor was teaching in my collegiate credentials. Though my experience teaching was limited at the onset, and in spite of my knowledge of the French language, a French phrase describes leading classes to foreign adolescents perfectly: “C’est pas évident.” Literally “it’s not obvious/easy,” but the expression evokes a deeper sense of struggle or confusion due lack of clarity or an ‘obvious’ solution, rhyme or reason for whatever you’re talking about. (It’s a difficult phrase to explain – I actually never translated it, just learned the real meaning by contextual inference – so I feel something is lost in translation/explanation.)

This expression is so applicable because every day is different. Every group has different dynamics and different levels of understanding. Different motivations. Some want to work, some work but understand very little. Talking to them in only English can be a very daunting task – what with the need to slow your speech to the pace of an escargot, repeating like a broken record (or tired cliché), and mostly the constant blank, void stares expressing neither comprehension nor utter confusion. But those small moments when something does happen, where the spark goes off, or when you can speak at a normal speed, just make you appreciate them even more.

For me: one year only. For you: who knows?

My stay at a French lycée taught me not only about French lifestyles or that you even have to report to school when students are on strike and that students have Wednesdays off, but did also gave me real experience in the front of the classroom. Some assistants have told me they only listened to and evaluated oral exams. It’s true, the role of the assistant varies, however the choice is yours what you do with the role you’re assigned and if you want to change it, the least you can do is ask.

You may wonder why, after I mention the feeling of reward from teaching, I chose not to renew my contract.

Well, don’t be fooled – it’s not as romantic as it might seem, but in retrospect we see what we missed before. I look back a bittersweet feeling, missing my friends and more, but know that it was not all a piece of tarte aux pommes.

To those assistants starting your year now, I wish you the best. Feel free to come here and ask whatever about your new post, or tell me about your experiences. I am here to listen and to offer my experiences to help you make the most of your time. I wish to be a resource for your concerns or questions. But, mostly, just know that you are not alone and just enjoy your time because it certainly is not forever.

To those who find this in research or preparation and can’t decide what to do, I hope this was helpful and that you can retain a sense of reality around the opportunity potentially presented to you. Realize that it can be hard, but can be great too. All you really need is an open mind and a bit of French. You as well feel free to use this blog as a resource, ask questions or speak your mind.

RAWards! Please help!

Hey y’all! You may remember that I participated in a RAW showcase in July. Soo… That means I’m eligible for RAWards and some great prizes:

  • RAW’s Golden Ticket: The opportunity to show in any RAW location
    once throughout the 2012 season with 20 free tickets
  • Consultation with Walid Azami, Celebrity Photographer
  • Consultation with Rob Greer, Commercial Photographer
  • Gallery placement in Downtown LA Art Walk
  • Photography showcase slot at the annual RAWards Show in Hollywood (date/location TBA)
  • $100 Nations Photo Lab Gift Certificate
  • Full Day Studio time donated by Studio OC
  • Feature in Flux Magazine
  • Feature in Raine Magazine & One Year Free Print Subscription
  • Feature on RAWartists.org Photography page
  • Feature Article on ArtSlant.com
  • On camera interview at the Winner’s Reception
  • RAWards Official Winner’s Seal & Accolade
  • and more!

If you like my work or just want to support me, you can help me succeed by voting for me every day until Oct 15th.

Go to my RAW:Natural Born Artists profile page in order to register and vote!

Every vote helps and will bring me to the top of the NY section! You can share this info with your friends by sharing this blog post or going to/sharing the Facebook event page!

Thanks to everyone who helped me go to the showcase in the first place! WE can do this!

Photo Assisting in NY

Recently, I took a trip down to NYC to assist on a photo shoot for the UK web magazine Fluxlings, a children’s fashion mag spin-off from Flux Magazine.

I met Chrystel, a French photographer based in NYC, at a Starbucks early that Sunday morning to discuss the shoot. Soon after, we left to meet the store owner of Les Petits Chapelais, the store providing the outfits for our model, Valentina. All the clothes sold in the small store were made in France.

Once Valentina, her mom, and the shop owner arrived, we got all the outfits together and set off around SoHo to shoot. The concept: portraits of a young girl in an urban setting, with romantic/dreamy tones thanks to her “soft” nature and overlaying images of butterflies during post processing.

Valentina turned out to be very cooperative and learned quickly how to act in front of the camera. As for my role, I mostly held the reflector.

In any case, here are the images published to Fluxlings’ web site.

An Evening of Raine in NY

So, who remembers back in July when I went to the RAW show? How many people arrive at my site by searching for information about RAW and whether its a scam? How many people have emailed me asking about it?

Really, the number isn’t important – just the fact that these things have happened.

Well, if you go to a Barnes and Noble and pick up a copy of Raine Magazine, you might notice my name under contributing writers, and then find two travel pieces (including photos) with my name attached. This should be the proof you need to know that RAW is indeed not a scam and perhaps worth your time.

Way back last July, I hung my work for one night at an exclusive, trendy Manhattan bar/lounge, not knowing that I would once again find myself in another place like it in September to celebrate the launching of Raine Magazine’s fall/winter edition.

As it turns out, I met someone who works for Raine at the Raw show. She happened to like my work and mention that to the editor – who then contacted me with story requests. It does happen sometimes.

Me at the Raine Magazine launch at Bar Basque in NYC, 9/29/2011

Caylena at the Raine Magazine launch at Bar Basque in NYC, 9/29/2011

So last night I attended a fancy gathering at the Bar Basque on 6th Ave and 29th St.

This party included contributors to Raine and its employees, as well as models, photographers, PR agents, and more! People dressed in everything from business attire, to jeans, to designer outfits – and more! The swanky party featured an open bar for the first hour and hosted its own fashion show! Wall-sized windows looked out upon the NYC streets, a courtyard next door, and a movie-theater sized screen on the building to the side showing what reminded me of the visualizations on Windows Media Player.

Overall the event was a success and ended with a transition to dance party and what would probably look like a typical night in the club – dancing, drinking, fashion, and bright lights shining on modern design-ey furniture!

Raw Video Interview

My Raw interview! Only a bit embarrassed. I’m not used to being on that side of the camera…

A RAWking Night in New York

Well. Voilà! Tomorrow marks one-week after my first showcase in NYC with RAW: Natural Born Artists. Here is a little picture of last Thursday:

Departure and Arrival

Chaos. Rushing around the house to get ready, pack, decide what work to bring apart from the pieces to hang, finally I was “ready.” I ran out the door and jumped into my mom’s car with two re-usable shopping bags full of stuff – including clothes and makeup for later.

Nervous we would miss the train, we hurried to the Poughkeepsie station. Luckily, we made it with a few minutes to spare – and we were off.

We arrived a little early to La Pomme – too early to enter – so we went to find food.

Set-up and Interview

Back at the venue with our sandwiches and my Starbucks, the photo/videographer approached me for my interview (part of a press packet RAW puts together for its artists). Stressed and makeup-less, I pleaded for a little more time. She accepted – begrudgingly.

I finished my food and promptly went to put on makeup for the interview. Problem was, the bathroom had no light; I wasted much time searching for light+mirror in order to not look like a clown – or accidental goth/emo.

Once the beauty was properly applied, I found Lisa and she interviewed me. It was not the first interview I’ve been a part of – having studied journalism and written news stories/etc., however it was the first where I was in front of the camera rather than behind. It felt rather odd, to be honest. I’ve had job interviews and things, but I had never before been questioned on “tape” about my art and my goals as a photographer – etc. Naturally, I had a combination of verbal diarrhea and speechlessness. Fortunately I managed to get through it and go back to hang my work – which went surprisingly quickly and efficiently.

Lights, Camera, Action

Before I knew it, people started arriving. Strangers and familiars. (One person told me the line to get in wrapped the block!) People arriving stopped to look at my work first (perk of being next to the entrance!). Some friends showed up and a long-lost cousin. People from different areas of my life came out to support me, and I was excited! Completely thrilled with the strong response to my work, the number of people taking my card, and the compliments. Elated. I talked with someone from Raine Magazine – a publication that promotes up and coming artists, designers, etc – who seemed to really appreciate my work.

Throughout the evening there were live aspects to the event, including a short film, a musical performance by Verity in Stereo, and a lingerie fashion show. Really a fantastic night of creative mingling and great work.

Thank you to everyone who made this possible.

Read about the experience leading up to the event: The Pre-RAW Experience
See what I put up: “Sentiments” by Caylena Cahill
See what you can buy from that night: Pieces for Sale (from “Sentiments”)

The Pre-RAW Experience: Try Anything, Nothing to Lose.

Hopes and Dreams

Ever since I returned from France in May, and really before that too, I have been trying to promote my photography – with the, perhaps naive and senseless, hope of attaining some sort of success within the industry and to really live out my dream of becoming a full-time freelance photographer.

I know what you’re thinking: “That’s SO hard!” (Shhhhhh, I know that – but this is my dream, remember?)

Step One: Get Known

Well, in order to pursue this avenue, while also applying for full-time jobs, I have stumbled upon some really awesome stepping stones.

I started out like anyone in my tech-savvy, social-networking obsessed generation might: the Web. I continued building up my website and blog, my Facebook fan page and my Twitter followers. This only got me so far…

I had decided that it was time to do SOMETHING with my, until then, mostly latent Linked In account – so I joined some groups and started participating. One has been instrumental in building my network and particularly in the recent success of my attending a show in NYC. This is the “Women in Photography” group. It’s created for any woman that does anything with photography – from hobbyists to seasoned pros.

Step Two: The Off-Chance

One day, while diligently skimming the daily digest email of new posts and comments, I saw one mentioning something called RAW: Natural Born Artists. At that point I was not sure what it was, but saw that it had a potential, so I decided to click the link, just to see what it was all about.

Once I saw what it was – a national organization that showcases underground and emerging artists – and that there was a group in NYC, I applied on a whim – never expecting anything to come from it. You know – just like the hundreds of job applications that return nothing. So, naturally, I forgot about it.

Step Three: The Shocker

Low and behold – one Saturday about two to three weeks later, I’m sitting at a cafe with a friend, and my Crackberry buzzes with a new e-mail, starting with, “Hello Artist …”

I do what anyone in this situation would do… get super tense and excited and attempt to make sense of the email on the tiny screen of my Blackberry flip phone, and get a bit overexcited and overwhelmed at the part saying that she “think[s] I would be a perfect fit” for the group!

Step Four: (Self-)Persuasion

Of course I was elated – until the sad reality of money brought me twirling back down to earth when my mom asked, “How much does all that cost?” And I read a little more closely… $200, the sale of 20 $10 tickets, or a combination of the two. Uh-oh. At this point I’m feeling rather defeated, though inspired that I really NEED to do this no matter what. I did not think I would find 20 people, in spite of the over 500 people in my Facebook Friends list and the growing numbers on my photography fan base, willing to put out the money, because, I mean, who was I really? I needed to convince myself, and fast, that I would have anyone ready to fork over the money. I sent out messages to, what I thought was, everyone I knew in the NYC area and then some. A few people responded yes or no – and then I said to myself, “What the hell, this is an amazing opportunity even if I have to pay out of pocket.”

Step Five: Ego/Emotional Highs and Lows

The show has no theme. I was completely lost. Mind blank and completely overwhelmed without the slightest clue of what to actually show. Should it be career related? Should I focus on my artistic vision? What was my artistic vision anyway?

So much time and energy in promoting, talking it up to everyone, even brand new people that I had just met.

This whole part of the process – the choosing and creation of the pieces and the promotion and fundraising was quite stressful, but exceptionally worth it in the end. I was really nervous and embarrassed to ask people for money. I still am, but I had to buck up and do it. And in the end, I exceeded the $200 and was able to put the rest toward the realization of the works. Which, yes, I eventually decided upon – after much painstaking time in front of the computer and many useless conversations with several people. I learned that after everything, the decision is mine because I am the artist. That’s both great and a disaster – as I am the most indecisive person ever.

Step Six: Objectification

As I am a mostly digital photographer, most of my works are composed of 0s and 1s, and not paper, ink, chemicals, etc. After choosing which images to print, I began the post-processing and finally ordered from WHCC, a pro printing lab. To economize, I did all the photo-finishing, after the arrival of the prints, myself.

The experience taught me how to cut foam core with a hard exacto knife, use spray Photo Mount adhesive, and actually assemble a mounted photograph. It was long and hard, but I finished with pride – and a sore finger. To see the final project, see this entry in my photo blog: Sentiments by Caylena Cahill Photography. To see what pieces are now available for purchase view: Pieces for Sale (from “Sentiments”) in my photo blog.

Step Seven – Excitement

Quickly after my art was ready, Thursday came and it was time to trek to NYC with my real-life artworks for my first exhibition in the great city. (I say “trek” but I just take the Metro North forever and the Subway – it’s really no big deal.)

The event went swimmingly (barring a few technical difficulties for the sound system), from set up to tear down, and I had a great time. My work also seemed to be a hit! What more can you really ask for?

(Read about the day of and the event in more detail: A RAWking Night in NYC)